NARCISSUS GUIDE

Hyper Dialogic Polyphonic Carnivalesque Aesthetics.

XXII And..... Towards Hyper "Dialogic"," Polyphonic", "Carnivalesque" Aesthetics in Meta-Complex Art"(50). The Visual Art's Era of Linear Time (Diachronic) has ended. Now starts a New Tribal-Global Vision (Polichronic)* of the world and the universe in which the Subject is the Infinite and its Process-Object the Humanness of quantum space-time presence. The linearity of the creative process ends when the multiplicity of Non-Linear Linear processes of imagination starts.For instance, Nietzche: "What is to be praised...is the "endless melody"...an artistic style in which the fixed form is constantly being broken up, displaced, transposed back into indefiniteness so that it signifies one thing and at the same time another(s)";the added plural is my own!... A finite episode with infinite superplots.... An infinite episode with finite superplots.. A complex infinite episode with infinite superplots... A complex finite narrative to an infinite non narrative... An identity with a finite no-self .... An identity with a infinite self....Which one... New kingdoms for parallel eternities... As if it could prepare us to enter quantum stages of reality... Making possible a MetaQuantum Aesthetics?.: ... Non-Critic-Negative-Passive-Oppressive-Closed- Historical-Narrative plus Critic-Positive-Aggressive-Open-PostHistorical- NonNarrative are patterns whose visibility should be regarded as key factors in the relationships of both Content and Form. The Corn giants of Satire, Joy and Tartuffery should be used as continuous Harmony-Disharmony Carnivalesque Metaphors to get the Essentials in Complex Art. Imaginary Image, Imagined Imagination, all are the same business in the Non-Linear Linear space-time. "Realizing-Presence" of "Polylogic-Polyphonic" Metamillennium Complex Art. The Obscure and the Diverse, as well the consistency of Lightness(51)., processes of New Consciousness are textures, statements and means to develop a Hypertext Aesthetics. "Toute Pensee emettre un Coup de Des" as Mallarme said... Let's Play the Sun on the HOBBY-HORSES of our own FORTUNE!. * "The alternative view would be that rather than a transit interrupted, art, construed historically, had reached the end of the line because it had moved onto a different plane of consciousness". And "Ours was a claim about how one complex of practices had given way to another, even if the shape of the new complex was still unclear - is still unclear." Arthur A. Danto, "After the end of art".1997. Princeton University Press, New Jersey, U.S.A. Pages 135 & 4.